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[REL]026[CAT]LABS·26[SYS]ACTIVE
[LOCAL]--:--:-- CET[REV]2026.04

CONTROL.
PRESSURE.
PRECISION.

FIG.01 / DOCTRINE

An audio DSP lab running experiments in public. The ones that survive ship as units. Built for the work.

↳ 02 AUDIO TOOLS IN ACTIVE ROSTER↳ COMPATIBLE: VST3 · CLAP↳ PERPETUAL LICENSE · THREE MACHINES
OBTAIN CATALOG ↗READ DOCTRINE ↓
! NOTICE: READ BEFORE OPERATION
DIGITAL SIGNAL PROCESSING TOOLS FOR MODERN AUDIO PRODUCTION. PRECISION. CONTROL. DAMAGE. SAMPLE RATES UP TO 192KHZ. 64-BIT FLOATING POINT INTERNAL. ZERO-LATENCY MONITORING WHERE APPLICABLE. MANUFACTURED IN BERLIN. CONTAINS NO ANALOG MODELING SHORTCUTS. THE MATH IS THE MATH.
◇ INSTALL → AUTHORIZE → ROUTE → COMMIT
◇ DO NOT EXPOSE TO LOSSY ENCODERS
◇ HEADROOM ≥ −6 DBFS RECOMMENDED
◇ RECALL STATES ARE SAMPLE-ACCURATE
◇ AUDIO PROCESSED LOCALLY · NEVER UPLOADED
// END OF NOTICE //
LOT · X-026/04 · BIN 14HANDLE WITH HEADPHONES↯ HIGH GAIN / LOW NOISEPERPETUAL LICENSE · THREE MACHINESFOR ARTISTS · BY ARTISTS
SECTION 02 · 02 UNITS

Audio Tools/02

EACH UNIT IS AN EXPERIMENT THAT SURVIVED: SEALED, VERSIONED, SELF-CONTAINED. NO TRIALS WITH NOISE BURSTS. AUTHORIZE TO THREE MACHINES PERMANENTLY.

UNIT · 012AVAILABLE
DYNAMICS / TAPE

REEL-COMP

MAGNETIC TAPE COMPRESSOR

Four compressor cores. Five tape-machine characters. Magnetic-hysteresis saturation with pressure-reactive wow and flutter - from transparent bus glue to worn-cassette wreck.

REEL-COMP · 95028
$50
SALE
$35
PERPETUAL / 3 MACHINES
UNIT · 019AVAILABLE
LO-FI / SATURATION

DAC-CLIP

DAC-CLIP

The clip and color of an old MPC or SP-1200 output stage. Vintage sampler conversion, bit-crush, sample-rate reduction, mu-law pushed into an authentic hard-knee DAC clip. Boom-bap dust to total destruction.

DAC-CLIP · 150461
$29
PERPETUAL / 3 MACHINES
SECTION 03 / DOCTRINE

Experiments that happen to be products. We engineer the work, not the impression.

01

CRAFT-FIRST

Every unit starts as a lab experiment and is verified against the work it serves. No 'character' fudging, no marketing math.

↳ Tested in real production
02

AUDIO STAYS LOCAL

Your audio is processed on your machine. None of it reaches our servers. No cloud rendering, no streaming, no buffer uploads. Not used to train any generative model.

↳ Audio buffer never leaves the host
03

OWN THE TOOLS

Perpetual licenses, three machines. Free updates within major version. Priced so the artists doing the work can afford the tools.

↳ Source escrow available
04

FOR ARTISTS · BY ARTISTS

Built by artists who ship the work. Designed for artists who treat their craft as art.

↳ DSP authored in-house, no licensed engines